filed under How To Write A Book, The Paris Seamstress.

Over the last week, I’ve been working on the proofread for The Paris Seamstress, which is out on 27 March, 2018. I know lots of people think that proofreading a novel is just about picking up typos and spelling mistakes but it’s so much more than that. Here are some pics from my proofread, and an explanation of some of the things I look out for when I’m proofreading a novel. Repetition I try to pick up all the repetition in the copyedit but some inevitably gets missed and sneaks into the typeset pages. So, as I’m proofreading, I have…

keep reading

filed under How To Write A Book, Writing Historical Fiction.

I was asked this question during the week. And I laughed. The other alternative was to cry. Because I am not yet the kind of writer who can turn in my first draft to my publisher. I know some writers do this. How I envy them, that they can produce a first draft that is readable, coherent, and not something to be ashamed of. I can, hand on heart, say that I can’t see myself becoming the one-draft writer for a very long time, if ever. So, why do I do so many drafts? Let me tell you. I Don’t…

keep reading

filed under How To Write A Book, Writing Historical Fiction.

Because I’ve been blathering on so much about my recent research trip, I’ve had quite a few people get in touch to ask how to go about their own research: where to start when researching a novel just seems so overwhelming. Here are my tips. Daily Life in Another Era – Newspapers, Catalogues and Magazines For those researching a historical novel, one of the big concerns is getting the detail of the era right. What underwear did people wear in the 1910s, how much did the average person earn in the 1920s, when were doorbells invented, what did people eat…

keep reading

filed under How To Write A Book.

I’ve published 4 books, but I’ve just handed in the structural edit on my 5th, and am up to the final draft on my 6th. This is not a position I ever really imagined I’d be in, back when I was writing book number one. If I had been able to glimpse the future, there are a few things I would have liked to have known—saving the good names being chief amongst them! Here are a few of the lessons learned from writing those books. Save the Good Names There is a finite supply of good names, especially male names!…

keep reading

filed under Her Mother's Secret, How To Write A Book, The French Photographer, The Paris Seamstress.

I taught a Plotting Masterclass on the weekend and we talked about plotting versus pantsing, and how much of my first draft would incorporate the key plot points, or whether I would incorporate those points once the first draft was finished. I get asked similar questions at each course I teach—whether the similes in my books just come out in the first draft or whether they’re something I work on later, whether the plot twists in my books are known to me in advance or whether they unravel themselves in  the writing process. So I thought it might be useful…

keep reading

filed under Her Mother's Secret, How To Write A Book.

On Facebook last week, I saw someone asking the question: how do you define success as a writer? It came on the back of a Twitter update, from someone attending a writing seminar, where UWA Press publisher Terri-Ann White said that the average sales of a book in Australia were just 800 copies per year. Does that then mean if you sell 800 copies in one year you’re a success? 800 copies might earn an author just over $2,000—for something that’s taken about 5 years of their life to write. Maybe for some that is success. For others, perhaps not.…

keep reading

filed under How To Write A Book, The French Photographer, The Paris Seamstress.

Incubation is a greatly underrated but hugely important part of the writing process, of how an idea becomes a book. Everyone talks about the actual writing and the redrafting and the editing but few people talk about the thinking time. I guess that’s because it’s hard to talk about: blogging about time spent doing nothing other than thinking could quickly turn into a very dull post! But I’m going to give it a go because it’s been on my mind a lot lately as I incubate an idea that will hopefully become a book for 2020 (crazy far away I…

keep reading

filed under How To Write A Book, The French Photographer, The Paris Seamstress.

During the week, I posted a picture on my Facebook page of a chart I like to do at the end of my second draft. It helps me see where the gaps are and what I need to work on in the next redraft. Unexpectedly, the picture attracted a flood of comments and requests for me to blog about how I use the chart and what I do when I’m redrafting a novel. So, here goes! The Second Draft I’ve blogged before about how my first drafts are a bit of a mess; I don’t print out my first draft,…

keep reading

filed under How To Write A Book.

The one question I’ve been asked by readers at every event over the last two months has been about my writing routine. I know I’ve blogged about it before, but probably not for a couple of years, and I’ve just realised I have lots of new readers who haven’t read my previous posts on the subject. So, given the number of questions I’ve been asked about it lately, I’m going to shed some light on my writing routine. The 4 Parts of My Day My day basically falls into 4 parts. Part 1: 6am-8am, which is before the kids go…

keep reading

filed under Her Mother's Secret, How To Write A Book.

Last year I wrote a post about deleted scenes in A Kiss from Mr Fitzgerald. I got so much feedback about it that I’ve decided to write a post about the deleted scenes in Her Mother’s Secret. Apparently writers don’t often share their deleted scenes but I think it’s really important to understand that nobody begins with the perfect novel; a first draft is an exploration of what the story is and, to truly explore, you have to be prepared to try some things that don’t work. Which is why I’ve decided to open up my Trash in Scrivener and pull…

keep reading