I hope you’ve been enjoying this series of blog posts about The French Photographer / The Paris Orphan. If you’ve missed any of them, you can find the post about the inspiration behind the book here, and a post about the Lee Miller connection here.
Now, onto research! Next to writing, research is my true love. Here’s what I got up to while researching The French Photographer / The Paris Orphan.
The Hotel Scribe, Paris
I began in Paris – where else?! – at the Hotel Scribe specifically. The hotel was used by the US Army as the Press Office during WWII so of course the main character in the book, Jessica May, spends a lot of time at the hotel, as did Lee Miller, the woman who inspired my main character.
The hotel’s exterior is largely unchanged from that time so it was wonderful to be able to describe that authentically in my book. It also allowed me see where Miller’s room was, and the view from her balcony; the hotel is very proud of its association with Miller.
A Chateau in the Champagne Region
From there I had the very difficult(!) job of researching at a chateau just outside Reims in France’s Champagne region. The contemporary storyline in The French Photographer / The Paris Orphan is set in a chateau in a forest in Verzy so, to be authentic, I stayed in a chateau in the forest too! How I suffer for my art!
I gleaned so many details from this stay, all of which made their way into the book. D’Arcy Hallworth is the main character in this storyline and the extraordinarily bright pumpkins she sees from her window in the chateau are the pumpkins I saw from my room, as is the canal, and the maze, and the plane trees, and the potager – or vegetable garden – and the butterflies.
Inside the chateau was a room called the salon de grisailles – the room of the grey paintings – and the walls of the room were lined with boiserie, paintings on the panelling of the wood, all done in shades of grey. They were spectacular and quite haunting and you’ll find, if you read the book, that the salon and the paintings form an integral part of the storyline.
Crazy Trees – Les Faux de Verzy
I had heard about Les Faux de Verzy, a group of dwarf, twisted beech trees in a forest, before I left for France. I was determined to see them as they captured my imagination. When I told my kids we were going to spend the afternoon walking through a forest in search of crazy trees, they looked at me as if I were the one who was crazy!
But we had the perfect day for it; a little overcast and dark, mystical, magical even. We found the trees and they were like something from myth; we all felt as if we were walking through an enchanted forest. As we left, my kids all said to me that doing weird research things with Mummy always ended up being really fun! There was no way I could leave those spectacular trees out of the book.
Onto Normandy
I then travelled to Normandy, which was a sobering experience. Standing on Omaha Beach, as Jess does in the book, deeply affected me, as it does her. The beach is so very wide and I could see the difficulty that any soldier would have had, jumping out of a vessel on the water, traversing through waves to the ocean’s edge, and then having to forge a way across that vast stretch of sand to safety. Almost impossible.
I visited the American Cemetery, and then drove to Saint-Mere Église, where there is a museum dedicated to the paratroopers because one of the other main characters in the book, Dan Hallworth, is a paratrooper with the US Army in WWII. As someone who learns best by seeing, and who previously knew little about the intricacies of battles and battalions, seeing a model dressed in a paratrooper’s uniform, plus all of the 80 kilograms of equipment they carried, and studying the maps of their campaigns and victories, was hugely helpful in allowing me to better understand Dan Hallworth and what he might have faced.
In the museums of Normandy I saw a lot of the equipment used by the soldiers and the personal items carried by them, which helped me to recreate life as it could have been: everything from US Army jeeps and tanks, to long-tom guns, and packs of Lucky Strikes, and ration chocolate, and Scott Paper, and tins of Marathon Foot Powder, all of which appear in the book.
Next week, I’ll introduce you to some of the other characters in the book, focussing especially on my contemporary heroine, D’Arcy Hallworth.
Terrific insight into your process, Natasha.
Thanks Sandy!
Fascinating to read about your inspiration & research.I’m just lost in the world of your French Photographer, having devoured it over the last week & sadly finished it last night. Devastated! Such a stunning book – thank you so much. Love France, history, historical novels & vintage fashion too – so am a thoroughly dedicated fan. What are you planning next??
Thanks so much Andrea! Thrilled to hear that you enjoyed the book. I’m currently working on a novel called The Dior Legacy, due out in late March 2020.
Thrilled you have time to reply – thanks so much! Can’t wait to read what you do with Dior – I bet that has involved some more exciting research in France? Am totally in awe of your writing ability to weave such powerful story & description together. I think also the French Photographer has had such an effect on me as I too have wondered broken-hearted along the invasion beaches, through the endless rows of cemetery crosses & around the Airborne Division museum in Ste Mere Eglise (while my children clambered over the tanks outside!) I also know about the mysterious wiggly trees near Reims & have shared that surprised breathtaking “Oh!” on discovering the beauty of a hidden chateau… Lee Miller”s amazing work & the truth about the many different effects of war (& post-war) on women so deserves to be shared more widely – so thank you again for doing such a brilliant job with all this. Have just launched into your Paris Seamstress & you have me hooked again already! I assume you’ve read Irene Nemirovsky’s Suite Francaise?
I must know who Dan Hallworth is in real life or who the author meant him to be?
He’s an invented character and isn’t based on anyone in real life.
My mother has been reading all of your novels and was very frustrated when she couldn’t buy the Paris Orphan any where nearby (In Australia). I found it online and ordered it for her. She was very upset when she realised she was rereading the French Photographer. Is there a specific reason for the two names between different countries?
Thankyou
Hi Brian, I’m so sorry but the US publisher decided to change the name of the book to The Paris Orphan when it was published in North America. It is only called that title over there; everywhere else in the world it is called The French Photographer. It can be very confusing, I completely understand, but unfortunately I don’t really have a say in what different publishers decide to call the books. I would suggest getting in touch with whoever you purchased the book from and explaining the purchasing error and often they are happy to refund you. Once again, my apologies.